The role of collaboration in music practice has been a longstanding research topic at ͯÑÕÊÓƵ, particularly associated with Peter Wiegold and Colin Riley. In 2016 Wiegold published Britten and the Community, a book which included an account of his working methods, and the Spitalfields Festival featured his reconception of Purcell’s King Arthur in a version involving composed music, improvisation, the ensemble Notes Inégales and the folk singer Sam Lee. Riley’s double 'cello concerto was premiered in 2017 by the Manchester Camerata and also involved an education project called 'Remix' utilising fragments of the music, both in scored and audio form.